No. 81. (2020) DREAMLAND December 22nd.

 

Film No. 81 (2020)  Dec. 22nd.  1:30 PM  PALACE  Raine Square,  Perth City. 

"You know the worst thing about dying kid? It's being forgotten." (Allison talks to Eugene about another fear in her somewhat untethered life).

Margo Robbie is captivating in Dreamland. It's a testament to her star power that this arthouse film has opened in most mainstream cinemas, mind you, I am talking from an Australian view-point.

In the depression ravaged U.S. Allison (Robbie) is wounded, on the run from the law and hides out in a barn,  somewhere on the dusty, barren Texan plains. She has been wounded during her last bank robbery and the wound is gory. Finn Cole plays the naïve, teenage Eugene, who lives on the ranch housing the barn, and stumbles upon Allison. He removes the bullet from her thigh and soon becomes besotted by her wild spirited beauty. Robbie's performance has us guessing as to her true feelings for Eugene. After all there is much to be gained, freedom for one, by her attachment to this uncomplicated farm-boy.

The film is more about Bonnie working towards claiming a Clyde. The chances of this being a classic however is zero. The film looks beautiful. There is hardly a location out of place but there are plenty of scenes that are either predictable or irrelevant. There is however no denying the Cole/Robbie aesthetic. The sweeping backdrop is complemented by their chemistry and good looks. 

The last 10 minutes has us guessing to a point, but I have to admit I became ambivalent about the climax. But there may be a surprise in store for some. Let me reiterate the fact Margo Robbie is charismatic and will attract a crowd for Dreamland. She will not disappoint, but the film may. 7GUMS.

Chris Greenwood.